All well-worn trails radiate calmness,
where so many boots, and shoes, and sandals,
paws, galoshes, and fleshy summer toes,
have worked the earth down into rounded edges,
like the dulling of a knife.
The line is almost fuzzy, out of focus,
between the smooth and clean undulations
of brown clay
and the unkempt edges of grass, forest, jungle.
It suggests an unspoken collective contract
that by asynchronously walking this same ground,
–you earlier, and me right now–
all those messy things might be held back,
kept in their place.
These are the properties that trails have.
They are social relationships, set in slow motion.
And just as the same path
can hold its rough, yet unmistakable integrity
as it grazes green fields,
then cuts deserts,
dips into seasonal creeks,
or polishes down the jagged rocks from other years’ avalanches,
it can bring the same familiarity
to fashion and fad,
to rituals of control.
To horror. To loss.
Just as the disparaging dinner table remark,
the offhand comment about your body,
is easier to take when it’s not the first,
so is each bloody sidewalk,
wad of safety money rolled into newspapers,
made so much softer, even soothing,
by the rhythm of its repetition alone.
“It’s okay, my friend,”
the trail always whispers,
“you are not the first to see this thing.
Just keep going.
I need your lone, humble tread,
to make it easier for there to be a next time.”